» Karlie Kloss

Karlie Kloss ‘F**k Me’ film: The 19-year-old model as you’ve never seen her before…

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Karlie Kloss: Powers of seduction way beyond her 19 years

Karlie Kloss: Powers of seduction way beyond her 19 years

Karlie Kloss: Victoria’s Secret Angel; Vogue cover girl, owner of a body like a thoroughbred racehorse. Now she can add another string to her already impressive bow: star of a rather raunchy sex flick.

The 19-year-old model explores her fetishistic side in a short film called Fuck Me, part of a six-part series called Fashion Fetish created for SHOWstudio‘s Selling Sex exhibition.

The series, developed by an all-female collective from the fashion industry including Liberty Ross, Lily Donaldson, Lady Amanda Harlech, Daphne Guinness and Dasha Zhukova, aspires to present sex from a female perspective through the exploration of fashion and fetish. Each week from 22 March to 1 June will see the release of a new film, with Karlie’s, directed by Ruth Hogben, being the first.

It’s a fast-paced film Karlie plays a selection of vixens: there are whips, there are suspenders, there is bondage. Have a watch and let us know what you think. Next stop, Agent Provocateur.

On the topic of fashion and fetish, SHOWstudio say:

‘If, historically speaking, a fetish is a manufactured object which has magical powers, or one that people are irrationally devoted to, fashion is a veritable fetish-factory of ‘It’ shoes, ‘Now’ bags, and garments that magically propose to make your life indefinably better.

‘On a less abstract level, fashion has been obsessed with sexual fetishism for centuries. The subtle constraint of the corset, the snugly-gloved hand, a shiny boot of leather – all staples of the well-dressed man or woman, and equally the well-equipped Sado-Masochist.

‘At the turn of the twentieth century, the Pandora’s Box of fashion fetish was blown apart – from Vivienne Westwood and Malcolm McLaren’s proposal of ‘rubberwear for the office’ in their seminal London boutique SEX, to Gianni Versace’s sanitised ‘Bondage Chic’ of 1992, to the power of John Galliano’s ‘Sado-Maso’ haute couture collection for Christian Dior in 2000, designers articulated the sexual peccadilloes of a select few across the international catwalks. It’s fetish as fashion.

When fetish meets fashion

When fetish meets fashion

‘Fashion Fetish hands the power entirely to female fashion professionals, asking them to address the notion of Fashion Fetish and examining their individual visions of women. In contrast with Selling Sex, which reimagines the female relationship with sex, Fashion Fetish focuses on a woman’s relationship with clothing.

‘Although as fashion historian Anne Hollander has asserted, the nude in art always wears ‘The fashion of her time’ – fashion’s influence can be felt across the naked flesh, her body as ‘fashioned’ as a corseted ball-gown. Dressed or undressed, this project offers a clear field, a blank canvas and an open mind to a selection of some of the most important women working in fashion today – designers, stylists, models and image-makers – inviting them to present their own interpretation of Fashion Fetish.

Coming of age: Karlie’s first nude shoot, with Steven Meisel for Vogue Italia December 2011 issue:

Coming of age: First nude shoot, with Steven Meisel in Vogue Italia last year

Karlie Kloss: She got the body AND the face. There is no democracy in genetics

Posted on by D in Beautyfreude, Fashion News, Fashionfreude | Leave a comment

 

Don't mess with Karlie Kloss or she'll give you her death stare

Don't mess with Karlie Kloss or she'll give you her death stare

Not content with being dubbed the new ‘Body’ (Elle Macpherson might have something to say about the young pretender pinching her nickname given that she’s still going strong herself), Karlie Kloss is now a celebrated face too – of Dior’s spring/summer beauty collection. The newly launched Garden Party is a lush palette of pink, lilac and the palest new shoot greens with the gentlest hint of primrose. Ff digs it.

Karlie Kloss opens Versace’s first haute couture show in eight years

Posted on by D in Fashion News, Fashionfreude | Leave a comment

Donatella Versace showed her first haute couture collection in eight years today, with model du moment Karlie Kloss opening the show.

Opening Paris Haute Couture week, Versace presented – as one would expect from the always va-va-voom fashion house – a glittering collection that was the very  embodiment of glamour.

Versace hadn’t held one for years because of the prohibitive cost – which made this one, for Spring/Summer 2012, altogether more rarified.

Karlie Kloss for Versace

Karlie Kloss for Versace

Reports suggested Versace had managed to capitalise on profits made from last year’s successful collaboration with H&M to finance the collection, a lavish scene of futuristic fantasy met with Grecian drama.

The palette was an ethereal fusion of silver, gold, pale grey, watery green and orange. Fabrics were glimmering metallics, lace, textured silk and leather.

The goosebump-inducing aural backdrop came courtesy of an aria sung by operatic legend Maria Callas.

‘Versace’s woman is sculptured, conscious of her body, and has a taste for futurism,’ Donatella said after the show.

A fitting return to form from Versace.

Donatella takes a bow

Donatella takes a bow

Acid brights

Acid brights in va-va-voom shapes that are just pure Versace

IN ATTENDANCE: Anna Wintour, Emanuelle Alt, Chloe Sevigny, Cameron Diaz, Diane Kruger.

PS Fact fans will note that the term ‘haute couture’ is an Appellation contrôlée in France, meaning that it can only be used by fashion houses if certain criteria are met. That includes, but is not limited to, things like the number of hours spent working on each garment, how much is made in-house and by hand etc etc.

The Oracle Wikipedia describes the legal status of the term haute couture thus:

  • Design made-to-order for private clients, with one or more fittings.
  • Have a workshop (atelier) in Paris that employs at least fifteen people full-time.
  • Each season (i.e., twice a year), present a collection to the Paris press, comprising at least thirty-five runs/exits with outfits for both daytime wear and evening wear.

via thezoereport